Thursday, June 17, 2010

Did Tolkien Read Steinbeck?

So, Sunday I was looking up some things in relation to my Haggard & Tolkien paper, and came across a striking point in passing in Wayne & Christina's COMPANION & GUIDE, suggesting that Tolkien was familiar with THE GRAPES OF WRATH:

"A reference to 'Joad' in a letter written in 1948 suggests
that he knew John Steinbeck's Grapes of Wrath (1939)."
--READER'S GUIDE, page 818.

Now, on the surface this is not as unlikely as it looks. After all, it's no more implausible that Tolkien wd know Steinbeck's works than that he wd be familiar enough with Sinclair Lewis to suggest that the word 'hobbit' owed something to the latter's BABBITT [1922](cf. MR. BAGGINS page 59, Nt 6). And there's Clyde Kilby's observation that he "was pleasantly surprised at the familiarity he showed with American literature, especially that of Mark Twain" (TOLKIEN & THE SILMARILLION, pages 30-31). By contrast, fellow Inkling Warnie Lewis knew so little about American lit. that late in life, when sent a postcard of Hawthorne's cottage by Kilby, Barfield, and Lawlor, he cheerfully confessed to never having read Hawthorne "but I like the look of his house" (Lawlor, MEMORIES & REFLECTIONS, page 21).*

But it turns out, the only evidence we have to even suggest it -- Tolkien's mention of the name 'Joad' -- turns out to be a false clue. Rather than a fictional character in an American novel about the Great Depression and Dustbowl (and old Henry Fonda movie), it's far more likely that the 'Joad' Tolkien is referring to is the British philosopher, writer, and radio personality C. E. M. Joad, nicknamed 'Joad of Joad Hall' for his resemblance (in personality) to THE WIND IN THE WILLOWS' Mr. Toad. Tolkien had already referred to Prof. Joad in two earlier letters of October 1943 [LETTERS p. 63); indeed, apparently Joad attended an Inklings meeting on October 26th, 1943. That the same person is intended in Tolkien's 1948 letter is shown by a specific detail: when Tolkien writes that an artist has drawn Farmer Giles "to look like little Joad at the end of a third degree by railway officials" [LETTERS p. 131], he's clearly alluding to the scandal that cost Joad his radio show: he happened to casually mention one day, on the air, that he never paid for rail tickets but simply slipped on, rode for free, and had always gotten away with it for years and years. There was an official outcry, and much tsk-tsking about setting bad examples for the young, and the general upshot was that Joad was driven from public life, suffering a debilitating heart attack shortly afterwards and dying a few years later. A sad end for someone who helped popularize philosophy in the same way Lewis popularized Church of England theology at much the same time.

And, it turns out Wayne & Christina caught the slip almost immediately, the sharp-eyed David Doughan having spotted the slip as soon as the book came out and their correction being posted among their scrupulous online errata (the whole of which makes for a fascinating read all by itself).

Of course, such a tiny slip does not detract from the excellence of their overall essay ("Reading"), which if published by itself wd probably have attracted attention as a major piece of JRRT, pulling together a vast amount of information into a concise space. There's just no avoiding the fact that, when we draw inferences based on sketchy information, sometimes a reasonable guess will turn out to have been wrong. In a sense, a book like THE HISTORY OF THE HOBBIT or their COMPANION & GUIDE is an ongoing project -- the road really does go ever on, so to speak.

And, since I enjoyed reading this piece so much, I'd like to add a few tidbits:
(1) not only did Tolkien know some Twain (who after all was a celebrity in England as well, having visited Oxford to receive an honorary degree in 1907, just a few years before Tolkien arrived there as an undergraduate), but
(2) he read at least some of GKC's FATHER BROWN stories, since Kilby -- who after all included both Chesterton & Tolkien among the 'Seven' authors of his Wade Collection -- noted of that "He did not care for the detective stories of G. K. Chesterton" -- TOLKIEN & THE SILMARILLION, page 26) [at least as of 1966].
(3) Since Tolkien stated that the title of SMITH OF WOOTTON MAJOR was "intended to suggest an early Woodhouse" [LETTERS p. 370], it seems likely that he read at least some P. G. Wodehouse.

current reading: many bits and pieces.

*CSL had a good many books by American authors in his library, but a number of these (e.g., Cabell) seem to have belonged originally to Joy, so while he was certainly a voracious reader I don't have a good idea for how much American lit. he knew, aside from the science-fiction magazines he enjoyed.


Wayne and Christina said...

We knew about C.E.M. Joad in another context, but not about his altercation with railway officials. A writer is limited by his own knowledge, of course – his "personal cognitive event horizon" as an article in the New York Times last week put it – and can't always know that there’s something he doesn't know. One reason the Companion and Guide took so long to write is that we often did realize that we needed to know more about something and had to do further research. It would have been an even longer time except that we come from different backgrounds and to a degree check each other by looking at things from different angles. When we woke on Monday the 21st, for instance, Wayne remarked that it was the first day of summer, because it was the solstice (an especially American demarcation), while Christina (an English opera buff) said that from her point of view it was three days before Midsummer, the Feast of John the Baptist on the 24th, which she associates with Wagner's Die Meistersinger von Nürnberg.

Similarly, Wayne has read Mark Twain, whose books were required in American schools, while Christina's knowledge of them from an English upbringing is second-hand; and talking about this, we agreed that although neither of us has read a word of, say, G.A. Henty, we both recognize titles such as With Clive in India as typical of his works, and we've read enough about British children’s literature to know what kind of books Henty produced. Which in turn made us wonder how much Twain Tolkien had actually read when he spoke with Kilby, as opposed to having enough familiarity through other avenues to carry on a casual conversation. Twain's celebrity in England, in any case, is surely no more relevant to whether Tolkien read Tom Sawyer or Huckleberry Finn – or even "The Awful German Language" from A Tramp Abroad, which at least was in his field – than John Grisham's in America is to whether either of us has read his thrillers (we haven't).

From Kilby's comment, it does seem that Tolkien read some of the "Father Brown" stories, though it's possible to dislike something (or decide that one would dislike it) by only sampling it; and although from Tolkien's remarks about Smith of Wootton Major it does seem that he read some early Wodehouse, this is problematic as none of Wodehouse's early titles compare with Tolkien's closely: that he wrote about "Psmith" is hardly enough to prove a connection with "Smith", and has no connection with "Wootton Major". Tolkien may have had in mind another author altogether, or (as he says) the Boy's Own Paper.

We reported his "Woodhouse" comment in our essay on Smith of Wootton Major, but tried to restrict our coverage in "Reading" to works and authors for which there was a certain strength of evidence. By this token, the Steinbeck citation never should have appeared, and did so only because we had made the wrong "little Joad" identification already in our index to Tolkien's Letters (likewise corrected in Addenda and Corrigenda).

physics nerd said...

In reply to the comment that "Which in turn made us wonder how much Twain Tolkien had actually read when he spoke with Kilby, as opposed to having enough familiarity through other avenues to carry on a casual conversation" - what about this letter:,-Including-Criticism-of-Radio-Broadcasts-of-his-Work in which Tolkien compares Twain's A Connecticut Yankee in King Arthur's Court to Naomi Mitchison's The Chapel Perilous?