So, today Janice and I went down to the Seattle Center (also known as the site of the '62 World's Fair) to see TIMON OF ATHENS, which gets my vote for Shakespeare's worst play, hands down. I'd been curious if, bad as it is on the page, it had any redeeming qualities on the stage. The answer, I'd say, is No. Too bad.
We stayed for the Q&A with the cast (most of whom were very good, esp. the guy who played Timon's loyal stewart), whose explanation for its being so bad was twofolds. First, they said Shakespeare co-wrote it w. Thomas Middleton, who they claimed wrote the worse bits. Unfortunately for this argument, the dialogue, which they blame on Midddleton, is rather better than the many, many soliloquies, which they credit to Shakespeare.
Second, they thought the play was unfinished, just a draft. So any line they didn't like cd be seen as a place-holder, meant to be replaced later by something better.
These arguments fail to address the true weakness of the play: it has an utterly unsympathetic main character. Timon* goes from being foolishly generous beyond his means (think generosity junkie)
to being bitterly misanthropic, with lots of nasty little rants about how horrible everyone is.
So, it's good to get a chance to see this, but while the play is better on the stage than on the page, it's, in the words of Marvin the Paranoid Android, "still very bad though". Though it does make me want to see MACBETH on stage if it comes anywhere near.
*whose name I've always pronounced as 'Ta-MOAN', but which they said as 'TY-man', rhyming w. Simon. Though I don't suppose it matters.
Retro Hugos for 1943
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