Friday, May 18, 2018

My Presentation at Kalamazoo (TOLKIEN'S METEORITE)

So, my own presentation for this year's Tolkien Seminar, held the day before the Medieval Congress at Kalamazoo, was a piece I call 'Tolkien's Meteorite'. This is a work in progress: I've finished the first and second parts (and Appendix) but the third section still needs more work. For those who might be interested, here's the three-paragraph opening that sets up the topic. The first section that follows looks at the evidence for dating the work. The second section contrasts Lewis's and Tolkien's treatment of their common theme. And part three looks at real-world and fictional analogues which might have inspired or influenced either.

Enjoy! Feedback welcome.

--John R.
--current job: proofing
--current reading: more essays by Martin Amis. Who's certainly no Christopher Hitchens.




Tolkiens Meteorite
—A Preliminary Investigation—

In his fascinating but unfinished time-travel story, The Notion Club Papers, written circa 1944–46 but not published until 1992, J. R. R. Tolkien wrote a passage in which the character based upon Tolkien himselfNt1 describes the experience of a meteor falling to earth from the point of view of the meteorite itself through a kind of psychometry or object reading.

At about the same time his fellow Inkling C. S. Lewis wrote a meditation on a fallen meteorite which took the form of a poem simply named ‘The Meteorite’. Published in Time and Tide in December 1946, and probably newly written at the time, it was shortly thereafter reprinted as the headpiece to Lewis’s book Miracles (1947), and hence presumably was felt by Lewis to have some relevance to the theme of that work of apologetics.


It seems beyond happenstance that these two Inklings would be working on different expressions of such a striking common theme at about the same time with no connection between the two. What I’d like to do in this paper is explore the relationship between these two works, starting by seeing if we can establish priority of which was written first. It also behooves us to look for antecedents and analogues, both real-world and fictional, for any common source that might underlie both men’s work.

Thursday, May 17, 2018

Back from Kalamazoo (Kalamazoo Day One)

Well, that was a busy week. In fact, I was so busy going to papers, prowling the book room, and having Tolkien discussions with Tolk folk that I didn't have time to blog about it as it was happening. To make up for that, here is the first of several posts covering highlights of the extended weekend.


WEDNESAY MAY 9TH: TOLKIEN DAY

The official Medieval Congress started on Thursday, but I flew in Tuesday in order to be on hand for the Tolkien Seminar, an independent event held just before the conference but not part of it. This was held off-campus in the basement of a local church and, I thought, went really well. There were ten presentations in all  scheduled for that first day:

I.  EOMER GETS POETIC: TOLKIEN'S ALLITERATIVE VERSECRAFT by Luke Baugher-Sheldon took a look at Tolkien's alliterative verse and suggested that he may have been the twentieth century's leading practitioner thereof (I think Auden might be most folk's first choice).

II.  THE CLOUD OF UNSEEING: MYTHS TRANSFORMED AND PSEUDO-SCIENTIFIC INTERPRETATIONS OF THE BOOK OF GENESIS by Kristine Larsen looks at nineteenth-century attempts to explain difficulties in the first chapter of GENESIS arising out of its description of Light (Day and Night: First Day) preceding the creation of the Sun and Moon (Fourth Day), comparing this with Tolkien's Myths Transformed in MORGOTH'S RING (HME.X). I found this particularly interesting because just a few days before I'd seen a documentary on Bill Nye (the Science Guy) in which a modern-day Creationist made much the same arguments she'd described from the better part of two centuries ago.


III.  LIKE YET UNLIKE: THE UNCANNY AND THE SODOMITIC IN TOLKIEN'S SARUMAN by Chris Vaccarro looked at Saruman's various sins (pride, anger, impatience), laying stress on various passages and phrases in the draft LotR that presented Saruman in a slightly better light and suggests he is capable of repentance, particularly one scene in which Merry's kind gesture sparks a genuine response. My favorite line was "the wish that the Wicked can be saved". I did find it slightly disconcerting that he pronounced 'Saruman' as if it were spelled 'Sodoman'.

IV. WHO IS MR. BLISS, AND MORE IMPORTANTLY WHAT KIND OF CONCERTINA IS HE PLAYING?: FILLING A MINOR LACUNA IN TOLKIEN STUDIES by Michael Wodzak was an informal but informative piece about two traditions regarding two different versions of this instrument, analogous to the fiddle and the violin: one a folk-instrument for home and local entertainment, the other part of the classical music tradition.

V.  Session V. was unfortunately cancelled; it wd have been about "the ring motif in classical antiquity and the Middle Ages".


after a quick break for lunch, the sessions resumed with my own presentation:

VI. TOLKIEN'S METEORITE: A PRELIMINARY INVESTIGATION by John D. Rateliff marked my own contribution to the gathering; more on this one in its own separate post. Thanks to Kristin Larsen I even had show and tell; she brought two small meteorites (one metallic, the other stoney) to pass around. And I brought a flake from a meteor from Mars.

VII. TOLKIEN ON 'HOLIDAY' by Andrew Higgins drew attention to the curious theme of how badly things tend to go in Middle-earth on special occasions (most notably the Fall of Gondolin and the earlier attack on the Two Trees). More generally, he looked at holidays, feast days, and celebrations. It made me wonder: isn't Fr. Christmas's point of view in an exactly inverse position to our own, since his day of work is our day of celebration?

VIII. THE GLISTENING OF DEW DROPS: TOLKIEN, HOPKINS, AND INSCAPE by Vickie Holtz-Wodzak suggested affinities between Hopkin's verse and JRRT's works. While I only know of one direct reference to Hopkins by Tolkien I think it quite likely T. knew at least some of H's work. And certainly there were Inklings connections: Ch Wms edited two major books by Hopkins and I'm pretty sure Ch Wms. brought his friend and co-worker Gerry Hopkins, the poet's nephew, as his guest to at least one Inklings meeting (though I haven't yet had time to hunt down the reference for that).

IX. THE TOLKIEN ART INDEX by Erik Mueller-Harder revealed a project of breaktaking scope I hadn't even known was in the works. It's basically a database with a little thumbnail of each known and published piece of art by JRRT, carefully indexed and cross-referenced so you can quickly search for a specific image, or grouping of images (for example, by typing in a search term such as 'trees'). It reminded me of Dr. Blackwelder's TOLKIEN PORTRAITURE  project years ago. Kudos to Mueller-Harder for having put in so much work to create and fine-tune such an amazingly useful resource.


X. MAIDENS OF MIDDLE-EARTH VIII: WOMEN OF THE EDAIN, performed by Eileen Moore, was this year's representative of 'TOLKIEN UNBOUND (which is sometimes dramatic readings, sometime musical performances)', but I missed it this year because I needed to be in the book room at that time, helping to set up the Nodens Books table.



--John R.

--current reading: a (disappointing) collection of essays by Martin Amis.

Thursday, May 10, 2018

I'm at Kalamazoo

So, I'm now (a) at Kalamazoo and (b) have a wi-fi connection.

Yesterday's 'Tolkien Day' Seminar went well, and my own presentation seemed to go down okay.

Today's already off to a good start with an excellent morning session; in half an hour the afternoon sessions, which also look promising, kick off. I've already run into more Tolk folk than I have time to list here.

I'll post some quick descriptions of the various Tolkien-related presentations when I get a chance.

Meanwhile, it's time to go to the next session. More later

--John R.
curent reading: a most peculiar 'biography' of pulp hero Doc Savage by Philip Jose Farmer.

P.S.
I''ve already bought my first book of the conference, a volume of ARTHURIANA with an essay in it about the Lost Arthurian Plays of Elizabethean England. Who cd resist?

Friday, May 4, 2018

Getting ready for Kalamazoo

So, Wednesday I reached a milestone in my getting ready for this year's Kalamazoo: I finished the draft of my paper. Now all it needs is a little polishing to improve the phrasing, tighten up any loose ends, rework weak points in the argument, get the notes and bibliography in shape, &c. So it's finished but not Done.

Now comes preparation for the actual delivery. I practiced a read-aloud yesterday and found that it runs about twenty-three minutes, a little over the fifteen-to-twenty minute time slot available to me. So I've now come up with two variant shorter versions which I now need to time.

Thursday, May 3, 2018

Bobo Shinn is still missing

Thanks to Pam, via Janice, for this link.

A sad but interesting update to  the cold case of the only person I've ever known who was murdered.

No one knows who killed her, nor where the body was hid.

At this distance in time, it's unlikely her remains will ever be found or her killer identified.

Here's the link.

http://www.fox16.com/news/state-news/missing-arkansas-woman-vanished-in-1978/1155020461

--John R.

Sunday, April 29, 2018

what I've been up to lately

So, one thing I've come to realize about myself over the years is that I don't multitask.

I admire people who can do a little of this, then a little of that, then a little on something else, switching back and forth between projects as the need arises.  It's rare that I can work this way, something which I tend to forget when thinking about taking on side projects. When I'm working on a project I have to dig down and fill my head with it till I'm like Gorey's Mr. Earbrass writing a novel.*


As a case in point, in a little over a week I leave for the Medieval Congress at Kalamazo, where I'll be taking part in Tolkien Day, a side-session of papers outside their regular Tolkien track.

I've been working on my Kalamazoo paper for some time, since I finished up the festschrift,** but put it aside when I agreed to do a book review that I let grow into more of a project than I'd intended.

Then came the research trip to the Marquette Archives, which was extremely enjoyable and highly productive.

Once back from Milwaukee it was back to work on Kalamazoo piece. I was making good progress when I had to break off again.

Now just a week away it's time to draft the final part of my paper and polish the earlier sessions.

It's going to be a busy week.


--John R.
current reading: the latest Carter & Lovecraft novel from Jonathan Howard

THE WIFE SAYS: 
Next time I'll listen to her about taking on too much at once.



*see THE UNSTRUNG HARP, Edward Gorey's first book and the funniest account I've ever seen of the writing process.

**the actual writing of it, that is: I've had the idea to write this piece since about 1987




Saturday, April 21, 2018

Audiobooks on Tolkien

So, I just finished up listening to an audiobook of John Garth's TOLKIEN & THE GREAT WAR, read by Garth itself. And it was so good, it sent me looking for more audiobook adaptations of works on (not by) JRRT. Which in turn reminded me of what an erratic lot it is. I haven't done anything like a systematic search, but even a cursory pokeabout shows how random is the pattern of what has and hasn't been made available in audiobook format.



Yes
The Zaleskis: THE INKLINGS 
Glyer: both THE COMPANY THEY KEEP and BANDERSNATCH

No
Shippey: both his seminal books
Flieger: all three of her major books
Fimi
Burns

Raymond Edwards

Some of what is available is as odd as what is not. Thus Carpenter's THE INKLINGS is apparently available, yet his BIOGRAPHY is not. Also, some relatively little-known books Xian audiobooks are out:

Xian audiobooks
Bruner & Ware's FINDING GOD IN THE LORD OF THE RINGS
Ware's FINDING GOD IN THE HOBBIT



I'd like to compile a more complete list than this initial rather random dipping, so if you know of others not mentioned above drop me a line and I'll add them to the list.*

--John R.


P.S. I didn't do a comparable search for CSL and the other Inklings, but I do know McGrath's C. S. LEWIS is available and that I'd recommend it,** while Lindop's THE THIRD INKLING seems not to have an audiobook incarnation.



*and hopefully eventually to listen to them.

**among its other virtues, the audiobook version of McGarth has the surviving bits of Lewis's own voice recordings provided as an audio appendix.