THE GREAT BODLEIAN TOLKIEN EXHIBITION (September 8th 2018)
So, whatever you've heard about the Great Exhibition of Tolkien art and manuscript and artifacts currently being held at the Bodleian, I'm pretty sure it fell short of the truth. This is hands down the best Tolkien Exhibit ever mounted.* And the catalogue is just as impressive: I need to go back and check, but I think there are items in display that aren't in the catalogue and items in the (massive) catalogue that aren't on display.
Any Tolkien fan attending this --and there were a lot of them the day I got to go in, when I think they were admitting them fifty at a time-- will find himself or herself drawn to different treasures, depending on what draws you to Tolkien in the first place. I think three that especially stood out for me were things I'd never seen before: first, the first map of the Shire (which I'd hoped to include in the expanded edition of THE HISTORY OF THE HOBBIT but not been able to pull it off); second, several pages from THE BOOK OF ISHNESS, including ones I'd never seen or seen before (far more vibrant and striking in color than I expected); and third, THE SILMARILLION title page. I'm not sure whether this was for the 1930 Quenta or the 1937 Quenta Silm, not having taken notes at the time, but I was struck by how much it conveyed the sense that THE SILMARILLION was a real book, incomplete or no: a substantial work and not just a smattering of parts.
I'm glad I had two solid hours with it. My friend Yoko, who's on a sabbatical in Oxford working with the Tolkien papers, drops by every day to see the exhibit, which seems to me an entirely reasonable proceeding: wouldn't any of us, given the chance, do the same? Afterwards I got a chance to briefly meet Catherine McIlwaine, who put together both the exhibit and catalogue: just long enough to congratulate her on her superb work.
In short: if you're at all interested in Tolkien, and you get a chance to see it, do so. You'll be glad you did.
*Based on the ones I've seen, and the catalogues of those I missed.
-- Unless you count the very early ones back in the late fifties, where Ready sent out the entire manuscript collection to a few lucky libraries.